Showing posts with label Home. Show all posts
Showing posts with label Home. Show all posts

Saturday, September 29, 2012

Home




















At 5 in the morning, the streets were deserted, at the Tibetan Refugee Camp. The four of you are up, wandering the lamp-lit streets, to be in time for the early morning ritual prayers they said happen at the main monastery. And from the darkness, this old monk in maroon robes walking into the light, to stop in front of you. Big warm smile. And he invites you home for tea. He says he’ll take you for the prayers, but "first have tea". The others hesitate, but you gravitate towards warmth, as you always do, and say Yes, we will. He is absolutely delighted, his soul flowing out to you, mingling in the mist with yours.

So we walk in the darkness from one yellow pool of light to the next, to arrive at his small house, set tightly among many others. We bend and go into the cluster of small rooms. In the semi-darkness, photos of the Dalai Lama everywhere. Old furniture, old vessels, old relics from Tibet. The Buddha and the Taras. The infinite beauty of Tibetan art, an abundance of colours. Old black-and-white family photos. Carpets. He brings in a huge flask full of tea, and pours it out in small old ceramic cups for you. All the while chattering away about his home in Tibet, the Dalai Lama. The majestic mountains. The snow. The prayer flags. The ancient monasteries. The colors.  His parents. The very air. Home, the most beautiful place on earth.

Then we go out again, with our self-appointed guide. As the dawn slowly breaks in thin orange slivers at the horizon, he takes us to the main monastery, opens doors only accessible to a few, takes us to rooms where the ancient musical instruments are kept, rooms where the Dalai Lama holds audience whenever he visits. And then from a balcony within the massive building, we see the huge hall below with hundreds of monks in maroon robes sitting in long lines facing each other, chanting their morning prayers. Goose bumps are probably the only befitting response.

Looking out of an upstairs window, he pauses, points to the acres of fields all around, on undulating hills, and tells you, “Beyond that, is India”. There is a silence. You who had not for a moment felt not-at-home, standing on soil you believe have every right to be on, your birthright. Which you have never imagined anyone will take away from you. A security you have never for a second questioned. You who otherwise never take anything for granted. You are struck dumb by the enormity of what you have, and what he doesn’t.

By now you have become his most eager listener, the only one who keeps pace with him. And he is talking non-stop, the stories flowing out of him like a dam suddenly opened, you are one river without boundaries now. The others are tiring of his non-stop chatter, in an accent difficult to follow, they lag behind. You know this want, this need to make your stories come alive in the narration. For everything that is uttered, at last, attains reality, it is no longer something you just imagined. You will not deny this kind stranger this joy, this comfort. You will not set conditions for this connection.

He takes you all around the refugee camp, the various temples, the shops, he wants you to experience the best of Tibetan culture. And when the sun is firmly up in the sky, he finally takes leave. You feel you have lost family you have found after years.

A few minutes after he says his goodbye and leaves, another monk stops us on the road. He asks if the old man was bothering us. We are puzzled. He says, “I’m sorry if he was bothering you, he does this to all strangers. He’s mentally imbalanced, he’s not well. He’s been in this camp since he was a young man, and had to flee Tibet, walking across the mountains for weeks. Ever since he’s realized he can never go back home again, he’s not been okay.”

It tears you up. You want to go down on your knees and cry. Home. A wish you can in no way help him fulfill. You cannot even just buy him a ticket, because that, you would’ve done instantly, wiping out all your savings if need be, without a second thought, to hell with reason. You are fighting against forces so powerful that can so mindlessly crush an innocent man’s desire to go see if his parents are still alive, or have been killed, whether their souls have departed without the necessary last rites of passage into the other world, unprepared for the bardo of Fear.

Madness, the only way out of that desire to go home. And a reaching out to people, who will listen to your stories, people who will help you recreate that space into being, people who will watch over you kindly while you trip over words, clearly not in control of yourself.

Many many years later, when you listen to the fiery young Tibetan activist, Tenzin Tsundue, at a film screening at Nani Cinématheque about a march to Tibet, you remember the old man walking around at the Refugee Centre, desperately seeking a kind ear who will watch over him while he re-builds his sand castle called Home.

Before the next wave washes it away. 

Thursday, January 19, 2012

Return




















Looking out at the distant airport lights in a hotel room in a cold country, that long-ago day, listening to the clock ticking away in the absolute silence, “the desire to be barefoot and sitting on a doorsill worn black and shiny by all the people who have sat upon it”* rises up like waves of unacknowledged pain, like a metaphor for all that you ever really wanted, but did not know...

Because it is indeed in the rightness of things that we needs must go searching all over the world to find what we really want, and come back ripe and ready at last to find it waiting patiently for us to return, by the side of the old jasmin tree which bravely survived the harsh summers with grace even when no one remembered to water it…

Maybe this is all that you really need, this everyday miracle:
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Monday, December 08, 2003

Light creates and recreates the house constantly. Perky morning rays coming in through the kitchen window onto the polished place next to the stove. Lighting up the dust on the black dining table through the half-open balcony door. Casting a moving shadow of the wind-chimes near the door. The bedrooms on the other side are still dark if you keep the curtains closed as if day has not yet completely broken there. Quiet awakening.

As the day progresses, the glow in the drawing room brightens, which even the curtains cannot stop. The grains on the wooden monkey on top of the TV are more visible. The bedrooms come out of night country.

And then the kitchen is in gentle light that doesn't quite reach the corners near the window. The coconut tree outside the drawing room is radiant in the golden evening light, with squirrel babies playing on it. The gentleness of tea-time settles on the red cushions. The light on the old cane sofa invites quiet reflection. The bedrooms on the west are now brilliantly lit, the meroon flowers on the curtain blazing away.

Then as the show comes to an end, the open balcony door lets in a warm glow that lights up the red Christmas stocking and the black and white Paris postcard on the shelf above the antique bed railing. Everything has a shadow. Gradually as you watch the red stocking lose its shine, and the light moving up on to the book shelf, you turn to look outside, watch what is left of the light silhouetting the bird nest on the acacia tree.

And then you close the balcony door as it is mosquito-time, and switch on the table lamps. Pools of light transforming the rooms and calling for music. A pale unchanging weak substitute for the sun, but until the next day when the miracle will repeat all over again, this will work its quiet magic.

* From 'Soul Mountain', Gao Xingjian